raincoaster produces a tiny episode of the Monkees, just for you

If they'll buy the premise, they'll buy the bit, right? 

So Peter's left to go back East to college. To study uh, to study uh, to study paleodentistry with Professor Grizelda at Miskatonic U. It is his keenest ambition to head up the glee club, and we feel certain he will one day achieve this dream, despite the Professor's weird possessiveness.

Meanwhile, back at the Malibu beach shack, Mike, Mickey and Davy get their big break…

on the Johnny Cash show.

Yep, seems Johnny's a real fan of Mike's slick country stylings and is dying to have them on the show. So…here the boys are, performing – well okay, here Mike is, performing Nine Times Blue while Mickey and Davy look on and try to nod as if they're enjoying it. This illusion is assisted, in Davy's case, by the fact that he is as drunk as a skunk, and in Mickey's case by the chemicals used to give him the white-fro and the other ones he apparently ingested shortly before taking the stage.

No doubt this is the key to appreciating country music; I shall make a note of it.

Afterwards, Johnny and the boys hang out and shoot the shit. I think Davy's coming on to Johnny, but then who wouldn't? Watch that leg, buddy! Afterward, they break into "Everybody Loves a Nut." Well, at least 10% of men do.

Then it's time for a word from our sponsors. Oops, no rest for the wicked! Looks like the boys are under contract and the studio's getting it's money's worth out of them!

Bidding Johnny a tearful farewell, particularly on Davy's part, they have to really move tail in the Monkeemobile to get to their next gig, as the warmup act at a Tony Robbins motivational seminar. With go-go dancers. If you doubt, check it out! It's summer break time, so Peter, back home for the holidays, reunites with the band. Ain't it groovy?

The fact that this video is totally out of synch with the audio doesn't actually matter; Davy was never a very good dancer to begin with, and back then they just didn't have the lipsynching technology that's enabled the rise of, say, Britney Spears. Just add lysergic acid until it all makes sense.

Then they hustle off to the studio to help Joan Crawford record a public service announcement about the importance of good housekeeping. No wire hangers! She develops an obsessive crush on Mike, so the boys pretend he's infested with constipation-causing parasites, pretend to be medics from a MASH unit, and evacuate.

Wow, after that don't we all need a good de-lousing or at least a nice Christmas carol?

Remember the eternal truths: Love is all you need, and everybody looks better in a maroon pirate-sleeved shirt.

God save the fuckin’ Queen, sayeth the Archies

Don't ask. Some things are better experienced than understood.

Harlem Punk Charleston

Linkie o’ the Day: Ask Chaucer 2.0

From Geoffrey Chaucer's blog, right over there on the blogroll.

Dear Mr. Chaucer,

Okay, so there's, like, this guy at school and he is TOTALLY hot and I think he likes me – like, he hasn't SAID anything? But Jamie heard from Marissa that Brooke had overhead him saying that he was completely into me!! And I like totally trust them? Except that this guy used to date M'lyssa and exes are like SO out of bounds, it's so not cool! But then she was all "oh, we're thinking about getting back together too" and the rest of us were just like, "umm, get over yourself?" and she was like "no", and we were like "yeah" and now she's not talking to any of us which is SOOO unreasonable, she is such a drama queen oh my god and she has the fugliest hair, she had it like slicked back yesterday and I was just like "what the hell?"
So anyways, do you think I should go for him???

Love,
Hopeless Romantic

Ma chere Romantique sans Espoir,

Thou knowst wel the oolde clerkes sawe, ‘who shal yeve a loevere any lawe’? And also that fayre couplete of Boethius his Consolation of Philosophie that saith ‘quis legem det amantibus, maior enim lex est amor sibi,’ the whiche on englysshe tonge meneth ‘Who shal yiven loveres a lawe? ffor love ys for ytselfe a gretere lawe.’

Thus, thyn affecioun for thys manne of hotnesse doth surpasse eny bonde or promise thou hast ymade with Marisse. But onlye, I counsel thee, yf yt doth drawe yts source from cupides owen trewe arwe, and yf yt ys sovereine and powirful love (and nat simplye a passynge fancie). So yf yt be trewe and honest love, proceede, wyth litle thoghte for litel boondes yn fikel frendshep yforged. And yet, be nat cruelle aboute Marisses hairestyle, for as Cicero saith: odium ludo non ludatori, the whiche meneth hate nat the playere but the game.

Le Vostre
GC

PSA: How to record off a warped record

Vinyl Album 

Via a completely nerdily pointless article on BoingBoing about cha-cha and mambo songs that there are a surplus of anyway. This is the addendum, when it should have been the WHOLE POINT.

A reader comments:

Here are a couple of techniques I've used when dealing with warped vinyl. In all cases I've done it so I could get one good copy, which I would use in the future (ie. I didn't use these techniques to play the vinyl every time). Also note, I probably wouldn't recommend these techniques with a really expensive turntable and stylus, though they never messed up mine.

1. Try weighting down the stylus with one or two pennies. Or perhaps a nickel (which weighs about 5 grams).

2. Place the vinyl onto a hard surface (eg. table top), between two sheets of clean paper (not the sleeve, since it sometimes has stickyness), and then place a heavy, flat weight on top for 15 minutes or so (I'd use an unabridged dictionary). While the vinyl usually has enough physical memory that it'll ultimately re-warp, it's possible to flatten things out long enough to record one copy.

3. Drizzle a bunch of distilled water all over the surface of the vinyl (avoiding the label). While I usually used this to reduce pops and clicks from scratches, the added dampening from the water would sometimes be enough to hold the needle in the groove on warped records.

4. Lastly, play it at a lower speed, so the needle doesn't jump, then process the recording to shorten the time and raise the pitch. While I did this a couple of times, it was back in the early 80's before I had a digital processor, so restoring the sound in the end wasn't so easy, though I could get close.Let It Be

He doesn't mention one that worked on my original copy of Let It Be: Leave the damn thing on a flat surface under a piece of glass in front of a window for one day. Simple.