Four Footed Friends

Percherons!Date: Monday, November 11, 2002 2:47 AM

A couple of years ago I was sitting in my living room watching Law & Order or somesuch at 2am and I heard clip-clop, clip-clop, a sound which reminded me of racehorses and show jumpers, things you rarely encounter when sitting in your living room watching the telly. It for sure wasn't in the plot [Picture it: Mike gets drunk and drives, crashes, gets his license taken away and must pursue criminals from the back of an elderly cayuse, perhaps the very one from Cat Ballou! And Lenny has to ride shotgun, holding on for dear life].

But seriously, folks.

It wasn't part of the plot, which I think was the erotomania episode that I really like, not that I identify with any of the characters. Not even Claire! Well, maybe a little when Jack gets out the bike…NO! No rice burners for me, nor no slutty DA's neither. I still don't think Claire put out.

But meanwhile, back at the living room, the clip-clop continued. And for sure it wasn't coming from the tv. [Sidebar here, but a virtual sidebar because first of all this stuff you are reading is only photons on a screen, so it cannot really have a "side bar" because there is no physical side to attach it to, and no bar: it's just pictures. Second of all, I don't know how to do a sidebar in HTML, so there you go: nothing. Virtuoso virtuality, meta-metaphosphors. Don't you wish you'd gone to grad school now? Don't you wish I had, so I'd know what I was talking about? But the clip-clop wasn't coming from anything in the living room at all, that's what I wanted to use the sidebar to explain, at least I think that's what I wanted to use the sidebar to explain, but am not sure because I started this o-so-long-ago, somewhat like the Bush family must be feeling right now, but let's get at least one of these things finished, eh?] But if the sound wasn't coming from the tv [oh, wait! Now I remember what the sidebar was for. It was to say that you used to capitalise "TV" and now you don't. "tv." Does that signify a loss of stature on tv's part now that it is running shows like Blind Date or does it signify greater familiarity, to the extent of becoming a regular, rather than proper, noun? Methinks the latter (don't you just hate sentences like "Methinks the latter"? Don't you just want to bitch-slap them a little?) And now, back to our regularly scheduled blog]

So if the sound wasn't coming from my living room and it wasn't coming from my tv (which is in, though not really of my living room) where was it coming from? Not the rest of my house: although well-stocked with four-footed beasts, the place didn't harbour anything with shoes on, nor were any of my mice hefty enough to make such big, beefy clip-clops. There was this rat once…you could feel the floor shake when it gallumphed across the dining room…but he doesn't wear shoes…but anyway, it wasn't me, it wasn't them, it wasn't Jack or Claire or even beefy Mike, so it had to be something Outside.

I dashed to the blinds (I'll bet you thought I'd never get there). I peeked out between them. I saw…

You'll never guess what I saw!

At 2 in the morning!

On Pender Street!

A team of tired, plodding draft horses drawing a wagon, with an old man at the reins.

Apparition? A hundred years ago, even fifty years ago such a sight was common enough on this old pavement, but now? The only draft horses in the city of Vancouver pull wagonsful of tourists, but not around here and certainly not in the haunted hours. It's all way west and way earlier. All good Belgians should have been tucked up in bed long since, yet there was no denying that a couple of tons of horseflesh were wearily clipping and clopping down my street, only slightly after the turn of the millennium. Not that one, this one. Well, they might have been Percherons; it was real dark, okay?

After that I used to see them all the time, or rather only at 2 am, but all the time at 2am though not every time. The clip-clop would ring out through the soggy, foggy air and they would plod past, never looking up or even to one side, just nodding their heads in unison as they headed for their mysterious destination. Where they were going I never found out: it's all city for about thirty miles in the direction they were headed.

One cold, rainy night, long about 2am, I heard the now-familiar clip-clop, clip-clop trundling down the street from west to east, just as usual. Then I heard voices.

If you don't live in Vancouver and haven't spent a lot of rainy winter nights sitting up alone reading Victorian ghost stories it probably wouldn't be your first thought that the horses had learned to talk. I, however, live in Vancouver.

Maybe I wasn't surprised to hear my mid-night-mares talking, but I was surprised to hear them use such language. "Motherfucker" did it for me; I had to peek, if only to give them a sharp look. If they were a serious hallucination they would at least know that I paid them the respect of a proper reaction.

I dashed to the blinds…but we've been over this before. And what to my wondering eyes should appear but a pair of scrawny hookers, arguing about a drug deal.

But still the sounds continued.

Clip
Clop
Clip
Clop

Had my horsies become invisible? But no…wait…there was something about the hookers. They'd stopped. The horses stopped. The hookers moved on. The horses moved on.

Of course, hooker shoes!

Hooker Shoes

raincoaster produces a tiny episode of the Monkees, just for you

If they'll buy the premise, they'll buy the bit, right? 

So Peter's left to go back East to college. To study uh, to study uh, to study paleodentistry with Professor Grizelda at Miskatonic U. It is his keenest ambition to head up the glee club, and we feel certain he will one day achieve this dream, despite the Professor's weird possessiveness.

Meanwhile, back at the Malibu beach shack, Mike, Mickey and Davy get their big break…

on the Johnny Cash show.

Yep, seems Johnny's a real fan of Mike's slick country stylings and is dying to have them on the show. So…here the boys are, performing – well okay, here Mike is, performing Nine Times Blue while Mickey and Davy look on and try to nod as if they're enjoying it. This illusion is assisted, in Davy's case, by the fact that he is as drunk as a skunk, and in Mickey's case by the chemicals used to give him the white-fro and the other ones he apparently ingested shortly before taking the stage.

No doubt this is the key to appreciating country music; I shall make a note of it.

Afterwards, Johnny and the boys hang out and shoot the shit. I think Davy's coming on to Johnny, but then who wouldn't? Watch that leg, buddy! Afterward, they break into "Everybody Loves a Nut." Well, at least 10% of men do.

Then it's time for a word from our sponsors. Oops, no rest for the wicked! Looks like the boys are under contract and the studio's getting it's money's worth out of them!

Bidding Johnny a tearful farewell, particularly on Davy's part, they have to really move tail in the Monkeemobile to get to their next gig, as the warmup act at a Tony Robbins motivational seminar. With go-go dancers. If you doubt, check it out! It's summer break time, so Peter, back home for the holidays, reunites with the band. Ain't it groovy?

The fact that this video is totally out of synch with the audio doesn't actually matter; Davy was never a very good dancer to begin with, and back then they just didn't have the lipsynching technology that's enabled the rise of, say, Britney Spears. Just add lysergic acid until it all makes sense.

Then they hustle off to the studio to help Joan Crawford record a public service announcement about the importance of good housekeeping. No wire hangers! She develops an obsessive crush on Mike, so the boys pretend he's infested with constipation-causing parasites, pretend to be medics from a MASH unit, and evacuate.

Wow, after that don't we all need a good de-lousing or at least a nice Christmas carol?

Remember the eternal truths: Love is all you need, and everybody looks better in a maroon pirate-sleeved shirt.

God save the fuckin’ Queen, sayeth the Archies

Don't ask. Some things are better experienced than understood.

Harlem Punk Charleston

Linkie o’ the Day: Ask Chaucer 2.0

From Geoffrey Chaucer's blog, right over there on the blogroll.

Dear Mr. Chaucer,

Okay, so there's, like, this guy at school and he is TOTALLY hot and I think he likes me – like, he hasn't SAID anything? But Jamie heard from Marissa that Brooke had overhead him saying that he was completely into me!! And I like totally trust them? Except that this guy used to date M'lyssa and exes are like SO out of bounds, it's so not cool! But then she was all "oh, we're thinking about getting back together too" and the rest of us were just like, "umm, get over yourself?" and she was like "no", and we were like "yeah" and now she's not talking to any of us which is SOOO unreasonable, she is such a drama queen oh my god and she has the fugliest hair, she had it like slicked back yesterday and I was just like "what the hell?"
So anyways, do you think I should go for him???

Love,
Hopeless Romantic

Ma chere Romantique sans Espoir,

Thou knowst wel the oolde clerkes sawe, ‘who shal yeve a loevere any lawe’? And also that fayre couplete of Boethius his Consolation of Philosophie that saith ‘quis legem det amantibus, maior enim lex est amor sibi,’ the whiche on englysshe tonge meneth ‘Who shal yiven loveres a lawe? ffor love ys for ytselfe a gretere lawe.’

Thus, thyn affecioun for thys manne of hotnesse doth surpasse eny bonde or promise thou hast ymade with Marisse. But onlye, I counsel thee, yf yt doth drawe yts source from cupides owen trewe arwe, and yf yt ys sovereine and powirful love (and nat simplye a passynge fancie). So yf yt be trewe and honest love, proceede, wyth litle thoghte for litel boondes yn fikel frendshep yforged. And yet, be nat cruelle aboute Marisses hairestyle, for as Cicero saith: odium ludo non ludatori, the whiche meneth hate nat the playere but the game.

Le Vostre
GC