cold front

from the Archive

What is up I do not know, but everyone around here is high as a kite and has been for days. Things are crazy, which is the default in the neighborhood, but now they are the kind of crazy that makes people freak out and gets them life behind bars, not the normal kind of crazy that gets them called “Napoleon” and has them wash their hands facing north-northeast on Tuesdays.

The sidewalks are fairly quiet, except the drug market outside Carnegie, but the alleys have never seen such levels of activity (wouldn’t call it “life”). Quite a picture it makes, with the city gardeners watering the brightly flowered hanging baskets while in the background some grease-streaked Charles Manson lets off a fire extinguisher that he stole from a hotel so he can sell it to the pawn shop out front. Vast clouds of white powder tumble into the air past windmill-armed beggars spinning the haze into tornadoes while in the forground a couple of junkies jitterbug as their synapses snap and the sunlight refracts into a million rainbows as the pansies and petunias are carefully sprinkled and tended. Some wild-eyed guy comes tearing down the street the wrong way, skateboarding a shopping cart, while behind him the cart’s last illegal owner sprints madly; this is the Downtown EastSide version of an SUV, and not to be let go lightly. He is fitter, but much less desperate than the thief, who is skating for his life as well as his cart. If he makes it to the old Indy track he’s home free.

I begin to think I’m staggering from a secondhand high, but it’s just that every single pedestrian coming toward me lurches from left to right to left in unison. It’s like the Rockettes performing a matinee in Hell. I get that disoriented feeling you get in a train when you are sitting still and the train next to you begins to move. Are they moving, are they standing still? Am I?

And down by the train tracks I cannot figure out **what’s** going on. I hear the chinga-chunga of a train motoring along the track but, though I have a clear view over the ten lanes of track, I cannot see a single car move. Maybe I’m hearing my own wheels. I stop. It continues, chunga-chunga-chunga and the immobile boxcars look at me strangely. They have inscrutable markings, from OCEAN JINGO LIMITED and from Oaph the tagger. Mene, mene, tekel upharsin. I start skating again. The sound continues, pacing me; where the hell is it coming from? After awhile the slope evens out and I see that all along I have been paced by flats, an enormous string of them, so long that the engine is out of sight; at three feet in height, they were hiding below the angle of the slope. An entire train, hiding and following me and driving me crazy. No wonder the other trains looked at me funny.

Fhtamily Cthurcle: Cthulhu Mythos/Family Circle mashups

I know I’ve already featured one of these brilliant mashups from Accordion Guy, but it’s Halloween and these images are unutterable shadow-paintings from beyond the veil. So there.

Cthulhu fhtagn! Fhtamily Cthircle!

Yog Sothoth ain't gonna save ya, kid.

strangers in the night

from the Archive

Once, I went out in the middle of the night for a long run. I stopped by Shanghai Alley to do my stretches. There I was, huffing and puffing with my face a nice rosy pink like the nether parts of a slutty baboon and bent over in any number of undignified and unflattering poses, thinking about the way my greasy hair was sticking to my forehead and the way I looked in my baggy sweats. Along came a hooker, skinny the way they all are, with the bones sticking out and that look like they would shatter if you gave them a sharp rap. She was very reluctantly following a customer into the bushes in the little park and when she saw me she called out,

“Way to go, girl, way to be healthy. Not like a sick junkie hooker!”

I replied, “Yeah, but I’m fatter than you,” to keep the interaction going. I mean, I wasn’t going to take her for dinner, but you can’t just drop it; that makes people feel so small. When they reach out of The Life you have to support them and not turn your back. Hell, it’s the least you can do.

“No, no, you look good, lookin’ healthy! You keep going, girl!” and she went. Never seen her since.

Only the Only

speaking of which, I could use something hot and deep-fried.

from the Archive

Have I told you about shopping for food in my neighborhood? Of course I have, and here I go again, but this time we will have no naked people (haven’t had any in quite some time, but nevermind) we will have no Italians. We will have diner burgers. And where will we have them? At the Ovaltine Cafe and Vic’s Cafe and we will have a good Yuppie bouillabaisse at the Cook Studio Cafe. In fact, I think I will go have one right now to refresh my memory and also check out all the hot uniforms at lunchtime, subsequent to which I will update the blog.

Love that word, blog. Blog, blog, BLOG! cool…[sorry, was nOOb then]

Back from lunch. Alas, Cook Studio Cafe closes at 2, just before I got there; story of my life, born a month late and trying unsuccessfully to catch up ever since. Went to mosey down to the Ovaltine or Vic’s but felt guilty I was ducking my work, so decided to eat closer to where I had to work today. Somehow that made me feel less irresponsible.

Ended up at the Only, The Only Seafood Restaurant. It’s in a hellish stretch of Hastings amid pawn shops, storefronts that have been boarded up for twenty years, and really last-chance social agencies. The Only has been there since the early part of the last century, and is now run by a nice Chinese couple. They got a very nice writeup last week in Malcolm Parry’s social column.

If you are one of the sorryass losers who goes to a seafood restaurant and orders beef you are SOL here, bud. There is nothing, I mean nothing, NOTHING on the menu but seafood. Halibut and chips, cod and chips, oysters fried raw stewed two ways, clams, mussels and/or chips. And there is nobody here except almost-geezers with ballcaps on their heads and windbreakers on their backs who all look like they just came in from a round of golf or maybe a suburban barbeque. As soon as you sit down the woman shoves half a loaf of bread and a platter of butterpats at you, along with a half-quart of water in the kind of glass that can take a bullet and remain standing.

It was the most expensive lunch I’ve had on the Downtown EastSide, which is to say that it came to $10 with the tip and pop. But then, my oyster pepper stew (half order) was yummy, and so thick with oysters that it really should be called Bowl-O-Sters With Some Tomato Sauce. There were three fragments of vegimatter, God knows what it was, but there was about a half-pound of oysters, all cut up. You know, when you cut them up like that they look kind of like jelly rolls with tentacles on one side and it gets you to wondering what all the different colours are made up of. A friend of mine went to high school out here and they made her dissect clams, oysters and mussels and now she can’t eat shellfish anymore because she looks at it and knows what’s the liver, what’s the pulmonary apparatus…I’m glad I went to school in Ontario and I’m glad I don’t eat at restaurants that serve fetal pigs or frogs, though I’ve heard some very expensive ones do.

But about the stew: never mind what it looked like, it was nice and peppery, with the true dinery flavour of Campbell’s Tomato Soup hiding in there somewhere underneath the tsunami wave of pepper. Yummylicious. And this is definitely a place you can dunk, so it was Dunk City for my lunch and I got through most of the bread.

The place is filled with mirrors: one long one running the length of the left-hand wall, and one huge, got-to-be-expensive one that makes up the back wall, about 8’x15′ or so. I’d be very surprised if it weren’t one of those that you can see through from behind. The kitchen is along the right-hand wall, behind a half-wall, and the counter comes out from there and makes two loops to the left. There are no tables. Ceiling is way up there, maybe 20′, and covered with either Lincrusta or a real old pressed tin ceiling. Very Edwardian. Along the top of the left-hand wall above the mirror runs a very sixties mural of fishing, all in pastel marine greens and oranges, like the sort of thing Toni Onley might have done in Grade Nine.

Adding to the atmosphere are the snippets of conversation, screams, and shouts coming through the completely clouded-over front windows. It’s like flipping though channels if only cop shows, Alfred Hitchcock, and Permanent Midnight are on tv. Ever seen Da Vinci’s Inquest? This is the kind of conversation that preceeds the arrival of the coroner. And the nice thing is: it’s OUTSIDE!

just in time for Halloween

Jack O'LanternThis is one of those unfairly neglected posts that are clicked once and then forgotten. A moving work of art by the team responsible for Chad Vader, Night Shift Manager, this piece suffered earlier by being somewhat ahead of its time.

That time has now come.

Behold The Life and Death of a Pumpkin, by some Wisconsonian guys channelling Bergman.