The Atene Button goes dark

Sigh.

Oh, it’s not like it hasn’t happened before. And it’s not like I didn’t expect it to happen again. Actors are … actorish, and this is what they do. They’re like cats on the doorstep…I want in…I want out…I want in…but unlike cats, you can’t exactly stick your foot under their butts and decide it for them. For one thing, most of them are bigger than you, if you happen to be me. For another, the whole virtual butt-kicking thing works much better in fetish DVDs than in motivational emails.

So I’ve heard.

But fame or no fame, actor or no actor, I’ve been down this pixel trail a time or two (dozen) before, and frankly, you can’t push people. They come or they go, and it can mean a great deal to the “audience” or it can mean nothing at all, but that makes no difference whatsoever to whether or not the person returns for the long term. I’ve seen people come back for twelve hours. I’ve seen people come back for just long enough to register a digital avatar trail and say “see, I went.” I’ve seen Brian Atene come and go and come back and go again over the course of a couple of years. But it’s the same process and we are just exactly as impotent.

I could email. I have his email. But I don’t for a second believe he’s playing coy: I think the man is honestly backing off, and that nothing is creepier than opening your email to see a mass of zombie grab-hands springing out from it, trying to draw you back. I’ll leave him be. If he returns, he returns; if he doesn’t, I hope he’s making shitloads of money and eventually sends me that autograph he owes me, which, no, I don’t think I’ll ever see. I’m like that myself, you see, and the list of things I owe to people I’ve never seen in the flesh is longer than I am tall. Even if I were, like, tall.

And if you think this is just about Brian Atene, you haven’t been paying attention at all.

Brian Atene: the backstory

This is his best yet, although it is entirely lacking in that trademark zany WTF-ness we’ve come to know and love (?). If you’ve ever wondered what was the point of Brian Atene, grab a bottle of Coppola Rosso and watch this. And not just because he namechecked me!

Ah, he took it down AGAIN: embedding disabled by request. Oh, fine, BE that way. Here’s the link:

http://www.youtube.com/watch?v=r0R93KZPM7U

Future’s so bright, I gotta wear Spectrespecs

Go on. Click the Atene button. You know you want to.

Brian Atene in Black and White

A little monologue for your Tuesday. I meant to post this yesterday for alliteration’s sake, but those pesky technical issues got in the way.

The Definitive Act of the Twenty-First Century

For Realz.

And that is: notquoting Tionna Smalls.” Although that’s a close runner-up. No; no indeed, the definitive act of the Twenty-First Century is, naturally, something that first surfaced on YouTube. Because you, the reader, are so finely attuned to nuance and Zeitgeist and other foreign-sounding words, you are reading it here before it registers on the consciousness of the tastemakers at Gawker Media, the Times, or CBC. Ahead of the curve, in front of the pack, on the top of the heap, and (perhaps?) good for loaning me twenty bucks till the end of the month?

Yes, that is the raincoaster blog devotee!

And just for you we present the following video, another Brian Atene monologue, but this one may be somewhat familiar in parts, if you’ve survived high school English. I had all of the great “To be or not to be” speech memorized by the time I was ten because it was on the cover of my best friend’s mother’s cookie tin and it would always take her ten or fifteen minutes to talk her mom into letting us get at the Peek Freans, so I had plenty of time to go over the lines. I used to recite them to her poodle when I was pet-sitting, just to discombobulate it.

It was a nasty little dog, and I’m a bitch. What can I say?

So here it is, the video containing the plan for the definitive act of the twenty-first century. And what might that act be, you wonder? Well, I’ll tell you. But I’ll tell you over the jump, because I’m like that.

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