strangers in the night

from the Archive

Once, I went out in the middle of the night for a long run. I stopped by Shanghai Alley to do my stretches. There I was, huffing and puffing with my face a nice rosy pink like the nether parts of a slutty baboon and bent over in any number of undignified and unflattering poses, thinking about the way my greasy hair was sticking to my forehead and the way I looked in my baggy sweats. Along came a hooker, skinny the way they all are, with the bones sticking out and that look like they would shatter if you gave them a sharp rap. She was very reluctantly following a customer into the bushes in the little park and when she saw me she called out,

“Way to go, girl, way to be healthy. Not like a sick junkie hooker!”

I replied, “Yeah, but I’m fatter than you,” to keep the interaction going. I mean, I wasn’t going to take her for dinner, but you can’t just drop it; that makes people feel so small. When they reach out of The Life you have to support them and not turn your back. Hell, it’s the least you can do.

“No, no, you look good, lookin’ healthy! You keep going, girl!” and she went. Never seen her since.

Michael J. Fox, come home!

But the best headline of the day award has to go to Fark, which announced Bob Geldof‘s opening of a new stem cell research centre in Toronto with the words:

Tell me why I don’t like fundies.
Tell me why I don’t like fundies.

Geldof, self-deprecating about his scientific knowledge, said that staring at cells through a microscope, “you know absolutely that the secret of those desperately traitorous illnesses that so defeat us is in there. And these microscopes and these brilliant men and women are going to get at it.”

Among those brilliant men and women referred to by Geldof is Gordon Keller, who is coming home to Canada to head up the McEwen Centre after spending 16 years in the United States.

One of the world’s foremost stem cell researchers, the native of Melville, Sask., has spent the last seven years at New York’s Mount Sinai School of Medicine, where his lab has performed groundbreaking research generating various types of cells from embryonic stem cells.

Well, if he’s as smart as he seems, Michael J. Fox has got to be double-thinking his decision to become an American citizen. Even Metrotown‘s gotta be looking pretty good to a nouveu Yank facing six-figure medical bills and the certainty that, should a cure for Parkinson’s emerge from the most promising area of research, it is already illegal in the Land of the Free and the Home of the Grave of Democracy.

Japanese video madness

matangoI first saw Matango aka Attack of the Mushroom People at the long-lost and much-lamented Vancouver B Movie Festival. It was, without a doubt, the finest evocation of the Gilligan’s Island mythotype (Ginger, Professor and all!) in an hallucinogenic, nuclear-aware Japanese context that I have ever seen, then or since. In fact, since it appeared a couple of years before GI did, it can be considered the immediate predecessor thereof. Both are, apparently, descendants of William Hope Hodgson‘s short story, The Voice in the Night. There also exists the possibility that the whole thing resulted in Yann Martel’s Life of Pi. There, don’t say ya never learned nuthin here.

I also recall the goofy first mate’s habit of greeting every surprising twist of events with his signature “Huh? Oh.” After the fourth time, the audience just chanted it along with him.

Just how freaky was this flick? Let me put it this way: the following video actually makes more sense than the film itself does, and here’s the vid writeup:

A music video set to Richard Cheese‘s lounge music version of Disturbed‘s “Down With the Sickness“, using footage from TOHO Studio‘s Matango. Don’t question it, you’ll be much happier.

True, dat.

“Down With The Sickness”Can you feel that?
Ah, shit
Drowning deep in my sea of loathing
Broken your servant I kneel
(Will you give in to me?)
It seems what’s left of my human side
Is slowly changing in me
(Will you give in to me?)

Looking at my own reflection
When suddenly it changesDruillet illustration of Hodgson's works
Violently it changes (oh no)
There is no turning back now
You’ve woken up the demon in me

[Chorus:]
Get up, come on get down with the sickness [x3]
Open up your hate, and let it flow into me
Get up, come on get down with the sickness
You mother get up come on get down with the sickness
You fucker get up come on get down with the sickness
Madness is the gift, that has been given to me

I can see inside you, the sickness is rising
Don’t try to deny what you feel
(Will you give in to me?)
It seems that all that was good has died
And is decaying in me
(Will you give in to me?)

It seems you’re having some trouble
In dealing with these changes
Living with these changes (oh no)
The world is a scary place
Now that you’ve woken up the demon in me

More Hodgson O Rama, courtesy of demented French comic books[Chorus]

(And when I dream) [x4]
No mommy, don’t do it again
Don’t do it again
I’ll be a good boy
I’ll be a good boy, I promise
No mommy don’t hit me
Why did you have to hit me like that, mommy?
Don’t do it, you’re hurting me
Why did you have to be such a bitch
Why don’t you,
Why don’t you just fuck off and die
Why can’t you just fuck off and die
Why can’t you just leave here and die
Never stick your hand in my face again bitch
FUCK YOU
I don’t need this shit
You stupid sadistic abusive fucking whore
How would you like to see how it feels mommy
Here it comes, get ready to die

[Chorus (last line changed to “Madness has now come over me”)]

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note to self: on strolls

Bag Lady Barbie...but if it were me, those would all be Armani and Holt's ya know! 

Next time I decide to head out for a stroll and get some fresh air, make sure:

  1. it isn’t pouring (which means deferring pedestrianation till May)
  2. I spend less than $50
  3. it takes less than six hours

Actually, it only takes that long since I only windowshop when I have money, so it can be months between windowshopping expeditions. In my current impecunious state it’s irresponsible of me to spend $3 on a single pumpkin spice truffle from Godiva, but less so than spending $5 on meth, so there you have the hierarchy of the Downtown EastSide. We all throw our money away, but when we’re done I am the bag lady with the Holt’s totes.

Only the Only

speaking of which, I could use something hot and deep-fried.

from the Archive

Have I told you about shopping for food in my neighborhood? Of course I have, and here I go again, but this time we will have no naked people (haven’t had any in quite some time, but nevermind) we will have no Italians. We will have diner burgers. And where will we have them? At the Ovaltine Cafe and Vic’s Cafe and we will have a good Yuppie bouillabaisse at the Cook Studio Cafe. In fact, I think I will go have one right now to refresh my memory and also check out all the hot uniforms at lunchtime, subsequent to which I will update the blog.

Love that word, blog. Blog, blog, BLOG! cool…[sorry, was nOOb then]

Back from lunch. Alas, Cook Studio Cafe closes at 2, just before I got there; story of my life, born a month late and trying unsuccessfully to catch up ever since. Went to mosey down to the Ovaltine or Vic’s but felt guilty I was ducking my work, so decided to eat closer to where I had to work today. Somehow that made me feel less irresponsible.

Ended up at the Only, The Only Seafood Restaurant. It’s in a hellish stretch of Hastings amid pawn shops, storefronts that have been boarded up for twenty years, and really last-chance social agencies. The Only has been there since the early part of the last century, and is now run by a nice Chinese couple. They got a very nice writeup last week in Malcolm Parry’s social column.

If you are one of the sorryass losers who goes to a seafood restaurant and orders beef you are SOL here, bud. There is nothing, I mean nothing, NOTHING on the menu but seafood. Halibut and chips, cod and chips, oysters fried raw stewed two ways, clams, mussels and/or chips. And there is nobody here except almost-geezers with ballcaps on their heads and windbreakers on their backs who all look like they just came in from a round of golf or maybe a suburban barbeque. As soon as you sit down the woman shoves half a loaf of bread and a platter of butterpats at you, along with a half-quart of water in the kind of glass that can take a bullet and remain standing.

It was the most expensive lunch I’ve had on the Downtown EastSide, which is to say that it came to $10 with the tip and pop. But then, my oyster pepper stew (half order) was yummy, and so thick with oysters that it really should be called Bowl-O-Sters With Some Tomato Sauce. There were three fragments of vegimatter, God knows what it was, but there was about a half-pound of oysters, all cut up. You know, when you cut them up like that they look kind of like jelly rolls with tentacles on one side and it gets you to wondering what all the different colours are made up of. A friend of mine went to high school out here and they made her dissect clams, oysters and mussels and now she can’t eat shellfish anymore because she looks at it and knows what’s the liver, what’s the pulmonary apparatus…I’m glad I went to school in Ontario and I’m glad I don’t eat at restaurants that serve fetal pigs or frogs, though I’ve heard some very expensive ones do.

But about the stew: never mind what it looked like, it was nice and peppery, with the true dinery flavour of Campbell’s Tomato Soup hiding in there somewhere underneath the tsunami wave of pepper. Yummylicious. And this is definitely a place you can dunk, so it was Dunk City for my lunch and I got through most of the bread.

The place is filled with mirrors: one long one running the length of the left-hand wall, and one huge, got-to-be-expensive one that makes up the back wall, about 8’x15′ or so. I’d be very surprised if it weren’t one of those that you can see through from behind. The kitchen is along the right-hand wall, behind a half-wall, and the counter comes out from there and makes two loops to the left. There are no tables. Ceiling is way up there, maybe 20′, and covered with either Lincrusta or a real old pressed tin ceiling. Very Edwardian. Along the top of the left-hand wall above the mirror runs a very sixties mural of fishing, all in pastel marine greens and oranges, like the sort of thing Toni Onley might have done in Grade Nine.

Adding to the atmosphere are the snippets of conversation, screams, and shouts coming through the completely clouded-over front windows. It’s like flipping though channels if only cop shows, Alfred Hitchcock, and Permanent Midnight are on tv. Ever seen Da Vinci’s Inquest? This is the kind of conversation that preceeds the arrival of the coroner. And the nice thing is: it’s OUTSIDE!