made by some guy named Alfred. And starring some guy named Grover. A moving cinematic exporation of the inherent futility of aspirationalism.
made by some guy named Alfred. And starring some guy named Grover. A moving cinematic exporation of the inherent futility of aspirationalism.

From Defamer comes pictoral evidence that Michael Jackson, the so-called King of Pop, is well on the way to Transition in the classic Innsmouthian mode, if not actually Arkhamian.
Eagle-eyed commenter Valet of the Dolls was the first to suggest the uncanny resemblance to legended and unspeakable aquatic hybrids. I think the connection is more sinister still.
It is the Thing on the Doorstep.
There are black zones of shadow close to our daily paths, and now and then some evil soul breaks a passage through. When that happens, the man who knows must strike before reckoning the consequences…The butler, tougher-fibred than I, did not faint at what met him in the hall in the morning. Instead, he telephoned the police. When they came I had been taken upstairs to bed, but the – other mass – lay where it had collapsed in the night. The men put handkerchiefs to their noses.
What they finally found inside Edward’s oddly-assorted clothes was mostly liquescent horror. There were bones, to – and a crushed-in skull.
Well yes, but he paid for that. And the nose is his own; he still has the receipt!
How can you resist the Unspeakable Vault (of Doom) eh?
One of the greatest pieces of American political criticism of the late 20th Century. I urge you to listen carefully, and repeatedly, particularly as the American Thanksgiving approaches, and to ponder the truths and untruths of Burroughs’ powerful statement.
stolen from Gawker. Location, location, location!
