Today’s Kick-Ass Award Goes To: Phoebe Cates

Phoebe Cates

“I feel safer in New York knowing that Phoebe Cates is looking out for me.”

It seems that former delicate flower of brunettitude and current Keven Kline spouse Phoebe Cates has turned ass-kicking vengence machine. Here is the whole story. I guess we can all sleep a little better, knowing that Phoebe is out there in the darkness, waiting, watching.

“I asked his mother’s name, and he didn’t know it. He told me, ‘I just call her Mom.’ They were pretty stupid.”

Operation Global Media Domination: the market for Atwood shrinks apace!

TIAPeggy, take note!

For what it’s worth, blog posts featuring Margaret Atwood are half as popular as posts with Gay Pirates, which are themselves half as popular as posts featuring Giant Squid, which are in turn half as popular as posts of Stephen Hawking’s Christmas Album.

But none of them approach the media Juggernaut that is The Feminine Hygene Post!

and the award for best Oscar coverage goes to:

 

Defamer

Defamer Oscars

Snippets from the comments:

Lauren Bacall is going in my dead pool tomorrow.by windowseat on 03/05/06 06:13 PM 

I’m sorry. I was hitting the bong for a moment. Did that chick just hit on Clooney during her acceptance speech? by HollywoodSexandCandy on 03/05/06 06:21 PM

I just Adore that Oscar-Speech-Background-Music! It makes Everyone’s Speech sound so Over The Top and Dramatic, even when they are just thanking their “Producing Partners!” I need to get that orchestra to play behind me the next time My Mom Calls And Asks Me To Explain Why I Am 36 And Still Single. Or I Break Up With A Boyfriend/ “Producing Partner.” by TheDailyRandi on 03/05/06 06:27 PM

And I remind you that the very best thing about drinking extremely expensive booze and then posting is the glorious perfection of the nonsequitage. Behold:

I’ll never forgive Lily Tomlin for nixing Devo‘s appearance on her 80s variety show because she was so offended by the “Whip It” video.by King of All Hacks on 03/05/06 07:08 PM

Thank you for sharing.

And now, the penultimate Oscar coverage, the one you’ve all been waiting for (because you’re too lazy to click on the link, aren’t you, bitches? I know my people):
 

8:23pm: NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!
God help us all. The sky has opened, Beezlebub has dumped his infernal payload of obvious evil on an unsuspecting Earth. Life as we know it is over. Drive to the desert and start a new civilization, hoping that our horrible, horrible mistakes will not be repeated. This is the end, friends. See you in Hell.

Matt Dillon, the bloggers are not your friends. Crash

short-selling Atwood

Atwood SignatureUndercutting the market for signed books by Canada’s Greatest Novelist? Machine-reproducing that irreplacable signature? Facilitating the production of hundreds of signed copies, worldwide, on a daily basis? That would completely debase the market value of the signed copies, as well as cheapening the emotional connection the “Dear Reader” feels towards the book and the author who, for at least a moment, handled it.

Who would do such a thing?

Margaret Atwood.

“It’ll be like being the first man on the moon!” somebody said, trying to reassure Aki Beam, a New York librarian nervously waiting first in line to have her copy of Atwood’s new book signed by the LongPen‘s robotic arm.

Apollo 13 is the parallel springing more readily to mind,” murmured the bookstore’s stressed-out owner, as a technical expert fiddled frantically with the machinery.

I have a book that Viggo Mortensen signed for me, and frankly it means a great deal more that he, himself, hauled his decorative lefty ass to Beyond Baroque that night and stood up on stage and read his poetry and then sat down on the filthy floor next to my pal Trixxi because he was too late to get a chair (they tangled legs, hers and his being too long to put anywhere else) and then went and sat for hours at the table with the other people: Georgeanne Dean, Patricia Smith, Regie Gibson, Luis Rodriquez, and Marvin Bell although not Saul Williams, because apparently the Saul does not sit at tables with other authors and sign things; all of whom signed things very nicely, particularly Regie Gibson, with whom I shoulda followed up, athough I’m a great one for slapping my head six months later and saying, “Idiot! He was hot!” and I even hung onto the paper bag Ian Tracey gave me his phone number on for two years, although I was, as mentioned, too much of an idiot to do anything about it until six months after I’d finally gotten rid of the bag…but I’m over that now; and then Viggo actually held and signed my book, and didn’t even spill any of the whisky on it, and that means much more than something done by some mechanical pen With Free Bonus Gee Whiz Factor that, frankly, non-geeks couldn’t care less about.

Besides, he got Sharpie all over his fingers and I now have a nearly complete set of fingerprints with which to frame him someday. Put your suggestions in the Comments, please.

But that’s neither here nor there.

Nor was Atwood.Margaret Atwood

She was in London; 40 people were in New York for the booksigning. Now, I dunno about you, but I figure 40 is a pretty good number for a piece of machinery to pull; it’s a crappy number for Margaret Atwood, though. The market moves fast, I’ll tell you that.

And another thing.

“You’re talking to the person who was heading for Los Angeles when they had that earthquake, was heading for New York on the morning of 9/11, and set out to do a book tour in Japan when the Sars episode hit,” Ms Atwood said. “I’m the person whose limousine broke down on the New York freeway, green stuff and smoke came out of it, and I hitched. I was actually rescued by the marines.”

I’m wondering if Margaret Atwood would mind posting her travel plans in advance, for the benefit of the whole world…next time I’m planning to go somewhere, I’ll make sure she’s not headed there. Better safe than entombed in fiery grave with, I remind you, Canada’s Greatest Novelist.

You just know that, in a thousand years when we got dug up by future archaeologists, the caption would read, “Margaret Atwood, Canada’s Greatest Novelist, and unnamed fan.”

Unnamed fan

Apocalypse Wow!

Is this the worst movie ever made? Dear readers, you will have to tell me, for lo, I haveth not the space on my hard drive, and besides, I’m afraid what all my cool documents will say about me behind my back if I force them to make room for the abomination which is The Day the Clown Cried.

Spy Day the Clown Cried

This is proof positive that, no matter how awful a thing may be, how apocalyptically degenerate, how earth-shatteringly horrific, it will, in the fullness of time, get its own fansite.

Where’s mine, bitches?

The site includes not one but TWO scripts for downloading, a first draft and a final, along with comparative analysis (and never has the word “anal” been more apt) and a compendium of articles on this lost meisterstroke (and never has the word “stroke” aw, fergit it).

Lordy, I’m filthy-minded today. Good thing I work for a singles club!

In any case, here is a snippet from the very fine Spy article in which I first learned of the existence of this work of lost…crapitude. And here is the entire article, for those whose lives do not contain enough pain.

JERRY GOES TO DEATH CAMP by Bruce Handy
Illustrations by Drew Friedman
from “Spy Magazine” – May 1992

To artists and intellectuals, the twentieth century has posed no questions more vexing than these:

First, can art make sense of the Holocaust? 

And second, why do the French love Jerry Lewis?

The first question can’t really be answered, at least not in the space allotted here. As for the second, it’s my own opinion that the French have confused sloppy, uneven filmmaking with Godardian anti-formalism.  Regardless, raising these two issues on the same page is not just a pointless exercise in non-sequitur.  Because Jerry Lewis, like Elie Wiesel and Primo Levi before him — not to mention the producers of the NBC ministeries Holocaust — has transformed the incomprehendible into art.

He did this two decades ago, in 1972, a year of cultural ferment that also saw a black man, Sammy Davis Jr., snuggle Richard Nixon on national television.  It was Lewis’ 41st film (but his first to deal with the mass destruction of European Jewry), and it turned out to be the most notorious cinematic miscue in history — unfinished, unreleased, said by the few who’ve seen it to be  almost unwatchable.  Oh, there are also Von Stroheim’s Queen Kelly and Welles’ Don Quixote, among other busts.  But no other film, seen or unseen, can boast both Nazi death camps and the auteur responsible for The Nutty Professor.

There is only one The Day the Clown Cried.

It sounds like a punchline in an overheated Hollywood satire:  Jerry Lewis in Auschwitz. Depending on your taste, the prospect may be as offensive or as inttriguing as … well, truly, no metaphor measures up to the particulars.  A synopsis:

An unhappy German circus clown is sent to a concentration camp and forced to become a sort of genocidal Pied-Piper, entertaining Jewish children as he leads them to the gas chambers.

The story is meant to be played as drama.  By all accounts, no one sings “You’ll Never Walk Alone”, and Tony Orlando does not appear.
Clown Crying