The Cheese Stands Alone

Mouse will thieve no more

Not because anybody moved it, and not even because everybody refused to go near it. But rather, because I forgot about the cheese because the cheese was in the cheese keeper of my refrigerator, which is a cheese keeper in the sense that the elephant graveyard is an elephant corral. And now the smell of that cheese could probably repel nuclear weapons.

So, you know about the Dairy Continuum? This is a process unique in organic chemistry, whereby dairy products never actually expire; they simply become more expensive dairy products. So:

milk > buttermilk > yogurt > sour cream > cottage cheese > cheese > more expensive cheese

and so on.

Quel frommage, eh? (that counts as bilingual in Canada)

So, cheese. I like cheese. I’d like to say I eat a lot of cheese, but I do not, for I am not only impecunious but chubby as well, and cheesification is antithecal to my budget as well as my butt. But. Sometime I bust loose and cheesify, because hey, I gotta LIVE, baby, LIVE, before I die.

This brings me to the hardware store.

Well, actually not yet. It didn’t bring me to the hardware store just quite yet. What actually brought me to the hardwear store was the mouse. Mice. Meeses. Festering swarm of vermin rodents, seething up from the ravine and devouring all in their path, presuming All was my favorite cereals, grains and packaged foods, damn them. And so it came to pass that I chose to do something about them.

I could tell you exactly why it came to pass, but it’s too gross for this time of the night. You can thank me in the comments. Don’t say I never did nuthin for ya.

Let’s just say it looked like a teabag from that angle and how was I to know?

Anywhateverywhoo. And so it came to pass that I passed by the hardware store and passed, in fact, the portal thereof and proceeded to purchase a box of warfarin, sometimes known as Coumadin when they want to sell you some marked up to use on yourself which they do quite frequently in fact, and I myself was on it for many months which just goes to show you I’m hard to kill (speaking of which, did I tell you about the time a poisonous spider bit me, and it died?) but prosaically known as rat poison.

Now, this is a delightful little old hardware store up on The Drive of the type that never subscribed to the ridiculously provincial idea that a hardware store should sell only wares of a hard nature. Nooo indeed, and they were Italian to boot. Which meant that the front window featured Cloverdale paints on special, with espresso makers also on sale, pickling supplies ditto, and looming over them all a collection of plastic birdbaths and wholesome green Coleman camping stoves, plus the largest roasting pan in the known universe, presumably specially imported from Sicily for disposing of enemies in bayleaf-scented style.

So, naturally, what was up beside the till, where any thinking hardware store would have trowels and putty knives and keychains?

Nutmeg graters.

Now, the nutmeg grater is a kitchen tool with which you may not be familiar. Indeed, it was one with which I was not familiar, being notoriously unfond of nutmeg except well mixed into the eggnog with sufficient rum to ensure it’s completely dissolved (three ounces per serving should do the trick). Although I am familiar with the traditional way nutmeg is harvested in the Spice Islands, having seen it with my own eyes: the nutmeg dove, which looks exactly like a dove the size of a wild turkey, flies up to the nutmeg tree, where it unhinges its snakelike unhingeable jaw and swallows the small apple-sized nutmeg fruit whole. Eventually the seed works its indigestible way through the digestive tract and you can see why the nutmeg dove has to be so big at both ends, can’t you or do I have to fill in the dots?

Well, do I?

So. Nutmeg. Not really on my top five fave spices list, for obvious reasons. Have you ever tried to wash powdered nutmeg? Because you know where it’s been. Well, now you do.

So there was the little nutmeg grater, a harmless-looking impliment. It looks, in fact, exactly like a regular old four-sided kitchen grater with which your prissy aunt shreds carrots prior to floating them in an alien-looking and eerily glowing aspic salad.

Only smaller. Much smaller.

How much smaller? Think two inches from top to bottom, including the handle. And why would anyone who neither grates nor consumes nutmeg be interested in such an item, you ask? It’s quite simple, really.

Grated cheese is less fattening and more flavorful than chunked or sliced cheese, because of the greater surface area to volume ratio. So anyone who’s watching her cheese consumption but still likes to get her frommage on every once in awhile would naturally be drawn to such an item, and most particularly at the low, low price of only $3.50.

So I nabbed one of the little buggers and set it on the counter proudly beside my other purchase.

Upon which the little old Italian man behind the counter bent double with instant laughter.

Somewhat huffily I inquired, after he’d held on to the till and rocked back and forth enough times to need a breather, why he was laughing, wherupon he picked up the nutmeg grater and made grating motions over the rat poison, saying, “Oh, you’re kind! You treat the mice real nice, grating the cheese on the…” at which point he lost it again, I put ten bucks on the counter, and walked out.

My Mumps

Okay, so vaccines might turn you suddenly autistic or whatever. Still, what are your priorities, guys: your brains or your balls?

Yes, that is an actual Public Service Announcement from MumpsSucks, a safety intiative of the Ontario government. Canadians, as we have noted previously, always have the best safety announcements.

everything you wanted to know about Canada but were afraid to ask

Yep, that’s pretty much exactly it: everything you wanted to know about Canada but were afraid to ask, delivered by the funniest man Canada has ever produced, Rick Mercer.

Any questions?

Weird Times with Wiarton Willy at Groundhog Day Zero

Welcome to Wiarton Willie's Ward

I’ll admit it. I’m not proud.

I lived in Wiarton.

Not voluntarily, you understand. If you’ve ever been to Wiarton for any length of time you’ll know just how involuntary was most people’s habit of living in that particular place. My geography teacher’s wife was from Paris, and he was an internationally known geography expert whose work was taught at universities around the world. And he moved his family there because of the amazing glacial features of the landscape. She and my mother became soulmates because she spoke not one word of English and couldn’t make out a Quebecois accent at all, and my mother still remembered the Pidgin Parisian she’d used when she was there back in the days when Kennedy was President and the world was bigger. So they spent hours on the phone talking about how much each of them hated the place. But the geography teacher was right: the place was spectacular.

Spectacular, yes. Spectacularly stupid as well. The high school boasted an 86% dropout rate the year I went to Grade 10, the graduating class was six people, and one of my acquaintances had to drop out of Girl Guides because she was pregnant and getting married. That woman has a thirty year old daughter now. And probably several ex-husbands, if the Peyton Place nature of the town hasn’t changed.

It got to everyone. My father moved out of our house and moved in with the mother of a classmate of mine for a few months, which led to an awful lot of “gee, look at that wall over there on the other side of the room from him” and much the same from his side, as he was about as pleased with this arrangement as I was. His mother used to get drunk and call my mother in tears, asking for advice on handling my father, and my mother enjoyed giving her detailed instructions on how to do exactly the wrong thing, until the sheer pointlessness of the drama got to her and she got the operator to block that number. The operator said, “Oh, honey, I don’t blame you.” Everyone in that town knew everyone else, and was probably related to them by blood.

Groundhog Day. It’s a post about Groundhog Day.

The English have King Arthur. The French have Joan of Arc, Roland and Oliver. And this is what we have:

The Legend of Wiarton Willy…….In the deep dark ages of antiquity (1956 or there about) the ancient rituals of Candlemas were replaced by the celebrations of Williemas. A secret emissary of three wise groundhogs had broken hibernation to bring the glad tidings to the small community of Oliphant. There in a shack on the shores of Lake Huron they found Mac McKenzie anticipating a message of great import.

The three wise groundhogs named Grundoon, Muldoon, and Sand Dune told Mac of the birth of a white groundhog who would for ever alter the world of weather prognostication. He would be recognized by his white coat and pink eyes and his unfailing ability to correctly predict the remaining course of each winter. He would emerge each February 2nd and pronounce his predictions only to those who spoke the ancient tongue of Groundhogese.

With a joyful heart and the help of revelling friends Mac went forth and spread the great news. Thus from the simple message delivered on Williemas eve to the grateful residents of Oliphant has grown the true meaning of winter….”Party On”  ~ Copyright 1999 Wiarton Willie Organization

Wiarton’s true claim to fame is Wiarton Willie, the (to all intents and purposes immortal) albino groundhog who pops his head out of the burrow to make mystical predictions just like Miss Cleo every February 2nd except for the ones on which he is dead, whereupon the farmer pretends that he came out JUST BEFORE the CBC crews arrived, and then goes and buys another albino groundhog on the black (white?) market to have something to show off.

It happened twice while my family lived there. If you think the coverup of Paul McCartney‘s death was thorough, you ain’t seen a redneck town when its only claim to fame is on the line. They mobilized every 4×4 and skidoo they could find, saddled up, and rode off in search of contraband Marmota Monax.

I think they got the swollen, matted rodent from a furry brothel in Thailand.

Keeping a groundhog, even a famous one, alive in a town where the favorite sport is shooting/throwing beer cans at things out the window of the pickup, is no small feat, but it is one to which the town of Wiarton was not really up.

One year, they got caught with a dead WW on their hands and decided to brazen it out by holding a funeral. Unfortunately, the funeral was organized by the Wiartonese, and turned into your common or garden clusterfuck. First, they had no magical white groundhog on Groundhog Day, so refunds to the tourists were in order. There goes the beer money till Pogey comes in! Then, they got caught switching the bodies (they’d apparently been keeping a store of dead WW’s in a freezer somewhere, or perhaps they simply dialed up that Thai furry brothel and ordered a fresh one strangled and delivered; did they tip the delivery guy, I wonder?).

Organizers say they decided to keep the news quiet so as not to dampen the festivities. According to Wiarton Willie’s official website, Willie “..asked only that we withhold this information until February 2nd so that it would not spoil the festivities which he loved so dearly.”

Apparently, Willie gave his weather prediction a bit early. In his will, organizers say he forecasted an early spring.

That’s a lie. You can’t fool me. I know none of those people can read!

And so we come, in a roundabout, 4:50am way, to the Groundhog Queen.

Wiarton Willie, rock hard and ready for action

As England has her May Queen and America has Miss America and the known space-time continuum has Miss Universe, so Wiarton has its Groundhog Queen. Or had; you think I’m going back there to check after what I’ve said about this place? Okay, they don’t have a pathetic raft of groundhog songs and games and party activities like Punxsutawney, but that’s just because they can’t form such complex thoughts.

That’s right: the annual beauty contest winner was crowned the Groundhog Queen. And yes, people actually competed for this.

One year, in fact, the quarterback of the high school football team competed for it. If memory serves, his father was a lawyer, and so his genetically beady eyes noticed the rules said nothing about having to be female. So he entered. This, I HAD to see, and so I did, and am glad I did because to this day that “evening gala” remains the sole high point of my time served in Wiarton. He was quite prepared to wear a two-piece bathing suit and heels if required to do so, which in point of fact he was not because I believe they changed the rules that very year. Unfortunately for the audience, the judging of the swimsuit competition took place backstage, so that the contestants would not be objectified.

While being judged on how they filled out a swimsuit.

In any case and however it may be and so it came to pass, he ended up second runner-up, a bona fide Groundhog Princess. And Forbes Collins, if you’re still out there, I salute you.

If you’re still in Wiarton, I encourage you to leave town. Remember: The smart ones get out, the dumb ones get pregnant.

Streams of History: call for participants

Live on the Downtown Eastside? Artistic, trustworthy, and nice? Has Fearless City got a gig for you!

Streams of History

Streams of History

Mobile Media workshop, February 4-7, 2009

It’s often said that if we ignore our history we are doomed to repeat it. By recognizing and recording the stories of 20 sites in Vancouver’s Downtown Eastside, mobile videographers connect past to present, creating an opening for informed reflection on the future. This crossmedia exhibition and web project remixes Labour, Work, and Working People: A Working Class and Labour History Walking Tour using Web 2.0 strategies to expand the number of voices heard and stories told.

Using the latest in digital technology, live video streams tell tales of 20 DTES sites through enduring memories of Vancouver’s labour history. Videographers present the history and context of each site and reveal new relationships with contemporary players. Strikes, lockouts, evictions, state suspicion, attacks on working class movements…markers of a death – each site has a unique role to play in the story of the neighbourhood. New tools are being used to harness history and bring it forward with  mobile devices, wireless networks, live screens and video mixers.

The public is invited to interact with the installation throughout the month and add to the stories, while our collective knowledge of DTES history deepens as it is reinterpreted through a digital lens.

Background

This project is based on the “Labour, Work, and Working People” booklet produced in 2002 by the Pacific Northwest Labour History Association. This brochure encouraged people to walk the streets of Vancouver and visit each site. In the foreword to the booklet, the author ends by stating “At the turn of the 21st century, this tour offers insight into the continued struggle by labour to democratize the workplace and the world. Please walk the tour and meet the working people who built the city of Vancouver.”

“Social gatherings, literature and art express feelings about work and community … Film and storytelling also allow artists to celebrate working class struggles and gains.”

Now in that 21st century, new ways of recording, commenting, involving and organizing are available to us. This is a digital updating and reinterpretation of these stories of Vancouver’s working class history.

Produced by:

Fearless City Mobile, in association with DTES Community Arts Network, Gallery Gachet, Mobile Muse 3, and the Department of Canadian Heritage.

Objectives

•    To connect 20 Eastside mobile videographers with labour history sites in our community.
•    To establish relationships with these sites, researching and expanding their stories.
•    To compare, contrast and identify the relevance to today’s Downtown Eastside.
•    To convey the spirit of each site in under 5 minutes.
•    To use leading edge technology in retelling these stories.
•    To archive/make available these stories online so they may be added to and commented upon.
•    To test an interactive map that supports locative and mobile video.

Where

Fearless City, yo!20 sites around the Downtown Eastside of Vancouver
Live event from the 20 sites on Saturday February 7th 2009 11am-12noon streamed online and as a remixed VJ installation at Gallery Gachet (88 E Cordova St., Vancouver, V6A 1K2, ph: 604.687.2468).
The outcomes remain in the gallery throughout the month to 28 February.
Online worldwide access via www.fearlesscity.ca and on a Community Walk map.

Participation

20 videographers
5 documenters (video-ing the videographers at work)
2 VJs handling the live stream
1 documenter recording the creation of the live streams at the Gallery Gachet
Pancake breakfast crew (shopping/gear/operating)

Honorarium

$20/compulsory training event plus $60 mobile streaming fee = $100/participant

Weather

As this is an outdoor event in early February, all participants should come prepared with wind and rain protection for themselves and the equipment; umbrellas are very useful here.

Connection, learning, the process

Participants will have two workshops to attend, on Wednesday, February 4, 6:30-8pm at 65 West Cordova (the Lore Krill Coop) and Friday February 6-8pm, Gallery Gachet

If you wish to participate but are truly unable to attend these sessions please contact Lani at (778.895.1939) and we will do our best to accommodate you.

The first workshop will give an overview of the project, and then offer a chance to select, be assigned, be told (depending on how effectively democracy works here!) which site each participant will cover. We hope the spirit of the project overcomes and possibility of fighting over favoured sites! Participants can research the sites
http://www.mobilizingmouse.com/streamsofhistory/walk.shtml

We may also wish to create pairs of first timers and more seasoned project participants.
So please come with flexibility around the sites you will be connecting with and the other member of your pair.

Having begun the connection to each site participants will then be introduced to the technical aspects of streaming video, and have a chance to see the hardware and software which will be used on the day of the event.

The second workshop will review the relationship with each site, offer guidance and suggestions and support as to film techniques which might be used, and also offer a chance to experiment with live streaming. The Friday evening will also provide us with a chance for meet ‘n greet with our technical partners from Montreal’s Society for Arts & Technology (SAT).

On Saturday February 7th all participants will gather at 9:30am at the Gallery Gachet, share breakfast and prepare for the day.

Timing

Each participant will be twinned with one other participant selected/ assigned by the geographical closeness to their own site.

In teams of two the 20 participants will station themselves at the first 10 sites for an 11 am start of streaming.

As each team finishes their first live stream the team then moves into position for their second stream.

Each member of each team will take the lead at ‘their’ site and then act as an assistant/ aide/supporter as their team mate then takes the lead at the second of ‘their’ sites.

11 am first set of five live streams – on ending move to third set of five locations
11.10 second set of five live streams – on ending move to fourth set of five locations
11.20 third set of five live streams – when done, free to return to the gallery
11.30 fourth set of five live streams – when done, free to return to the gallery
11.35 end of live streaming and all participants return to Gallery Gachet
11.50 assemble at Gallery Gachet
12 noon celebration and congratulations, and a chance to view the now archived event
12.30 event formally ends

The memory

The source streams will be archived and available online. The ‘VJ’-ing of the live streams will itself be recorded and archived.

All 20 sites will be added to a “Community Walk” map, with direct links to the videos of each site, and with interactive comments and additional historical detail added over time.

Keywords

history, memory, connection, learning, labour, working class, digital, streaming, VJs, relevance.

Background Links:

The booklet online: Streams of History

The sites on our prototype Community Walk map

Three sites on video walls etc
http://www.pixell.com/Video%20Walls.htm
http://www.retinafunk.com/weblog/?p=38
http://www.thelightprojectioncompany.com/screens.htm

Suez’s site with a video of VJ-ing in action
http://www.electrabelle.com/

Six or seven sites connect with the relief camps and displacement during the depression (the former one….) This book with Vancouver connections is excellent source material*:  Bill Waiser* <http://homepage.usask.ca/%7Ewaw273/>casts our minds back to depression-era Saskatchewan in “Who Killed Jackie Bates?”

*A podcast interview with him is available here: (select January 24th)*
http://www.cbc.ca/thenextchapter/podcast.html