Can you tell I'm a writer? Let's test your knowledge of the writer's life.
I come into some money and I immediately go to:
A) the grocery store, for some much-needed foodstuffs
B) the bank machine, to pay off my bills
or
C) the bookstore for Jared Diamond's Collapse: How Societies Choose to Fail or Succeed, Masterpieces of Murder: The Best True Crime Writing from the Greatest Chroniclers of Murder, and Susanna Clarke's Jonathan Strange & Mr. Norrell for an aggregate of 2104 pages; thence to the liquor store for a bottle of Jackson-Triggs 2004 Proprietor's Grand Reserve Sauvignon Blanc; and thence to a restaurant, albeit one where they ask if that's for here or to go. I'm feeling flush, so, throwing caution to the winds and carpeing diem for everything I'm worth, I ask for extra hot sauce and a beef, rather than vegetarian burrito.
My friend Carinthia, who has lived in the neighborhood for twenty-very-odd years, went to the Carnegie Library to get a book. Well, you would go to the library for a book, wouldn't you? She had in mind a particular translation of Cicero, the kind of thing that hasn't topped the best-seller lists in a couple of millennia. The kind of thing you expect to have to order from the West End, or the North Shore, but definitely not the kind of thing you think is readily available here on the Downtown EastSide.
She picked her way past the sixty or so drug dealers surrounding the building like a particularly saturnine ring, passed the needle exchange table, and went up the curving stairs into the round tower. Yes, the Carnegie Library had the translation she was looking for. You may not be surprised, but you haven't seen the Carnegie Centre or the Carnegie Library, a tiny subset of the Centre.
When the cafeteria is getting its food delivery they have to have one extra person to stay in the truck and guard everything or that delivery truck would be stripped to the rims in seconds. When it pulls up a crowd surrounds it immediately; exclusively big, burly guys who can lock onto a case of hotdog buns like a pit bull on a postie. They make no secret that they are there for whatever they can get, and if the guy in the truck is too dainty looking or without a 2×4 there could be real trouble.
The only time I've seen anything like it was inIndonesia, in Ambon, the part where they're killing the white people now. I was there just before they started, and as our ferry pulled up to the dock we saw thirty or forty would-be porters scrambling to get onto the staircase to the ship; it was the kind of stairs-on-wheels thing you see in old shots of the Queen. There were two port officials on those stairs, armed with bats, and every time a hand would grasp the rail over the dotted line they would whack it with the bats. We could hear the smack and clang over the throb of the engines. It's like those scenes on CNN when a truck with food pulls into a refugee camp and they try to rush it.
It's much the same outside the Carnegie Centre, except the delivery guys are quite big and they call out half the kitchen staff to help: they form a line like a bucket brigade, and pass the coleslaw and creamed corn or tofu whip or whatever it might be that day along into the kitchen.
Anyway, the Carnegie Centre. I wouldn't be surprised to hear there is a dressage outreach program in there, bringing German equestrianism to the Downtown EastSide. They have such a variety of amazing things inside this rundown, haunted and hunted building that it's like nothing so much as Mary Poppins' carpetbag. Reach in and pull out anything in the world. An art gallery? Sure. Martial Arts studio? Sure. Live nude drawing classes? Two-dollar meals? Gym? Computer labs? Symposiums? Meditation room? Senior's services? Youth services? Immigrant services? Sure, all that and the ghost of the old cleaner, too. If I needed a white rhino for any reason that's the first place I'd go, because if they didn't have it they would surely be on the White Rhino Network mailing list, and could give me a referral and probably some coupons to boot.
They also have a library, but perhaps I mentioned that. The library is about the size of a large bedroom, with special sections for books on the Downtown EastSide (quite a lot, actually; I guess we're famous) and for new immigrants and gender studies and other marginalized literature; here minorities are the majority, so this represents the majority of books in the library. Marginalization is standard; mainstreamers are outnumbered and so by definition also marginalized.
So the Carnegie had the Cicero, were in fact the only library around that had the Cicero. The Ancients are surely a marginalized group, if ever there was one, so the Cicero was bound to be there, since everyone on the Westside only reads Oprah's books. Only, it wasn't there.
There were six people on the waiting list for the Cicero.
So Carinthia put her name down for number seven and walked back home, past the largest open-air illegal drug market in the world, past the junkies tweeking on the sidewalks, past the hookers working all the angles of all the corners, past the empty park that smells like beer every morning, past the Chinese restaurant where OD's get locked in the bathroom until closing time whereupon the police are called, through her eight-foot high steel security gate and her deadbolted front door, and she made some tea and she sat down and she wondered what she really knew about her neighborhood.
Since I am officially the last to speak at the morning story meetings, you'd think I'd learn from the more experienced reporters. Particularly, you'd think I'd learn when to STFU.
We go around the table. Mike, what is your story pitch today? Mike pitches a story. A. Story.Cheryl, what is yours? Cheryl pitches a story. A. Story. Well, actually Cheryl is ambitious or something, and Cheryl pitches two. And Lorraine, what is your story pitch today? And at that point the caffeine hits my mouth if not my brain and I throw out three or four ideas and only really stop because the EIC is enthusiastically jumping on one of my ideas and explaining how it fits in perfectly with something he wants for the paper. So now, not only do I have the story that was supposed to be done yesterday to finish up, but I also have to write up the one I interviewed the fellow for yesterday, in between the office and the Shebeen Club; both of those were approved on Monday morning, but now, because of said bigmouthitis, I also now have three more perfectly good story ideas I'm expected to write up in the next, say, 18 hours.
And, of course, here I am blogging about it rather than writing them up.
re: Go Fug Yourself on Lindsay Lohan and Sharon Stone at the Oscars
re: Edgar Allan Poe’s Wedding and sorry-ass life (note that when you google “Edgar Allan Poe’s Wedding” our announcement is #1! My hit-whoredom is momentarily satisfied)
I Shudder Again more of that old gothic horror erotica. Same old same old.
Black Thorn, White Rose erotic retellings of fairy tales, although if you’d read the original French ones you wouldn’t need retellings, baby!
As references:
The Castle of Otranto, by Hugh Walpole. the first Gothic Novella (at least the first one not in German). Gets so caught up in the atmospheric effects of the flapping of raven’s wings in the graveyard and the eerie forboding of shadows in the candlelight that nothing actually ever happens. Like a great-looking date that can’t talk, a restaurant where the vibe is perfect and the food awful. Its chief virtue is that it’s just barely over 100 pages.
The House on the Borderland, by William Hope Hodgson, essentially the first supernatural horror novel in English, The Castle of Otranto being religious rather than supernatural in overtone and this divorcing the horror of the beings from their evil…ie they’re creepy, they’re deadly, but they’re not neccessarily from hell. Far better than TCOO anyway, and a quicker read.
The Gormenghast Trilogy by Mervyn Peake. Great books, I’m sure, if I could ever get through them. Like chewing through a glacier made of Turkish Delight. Historically important, great works of art, exquisitely overwraught, and virtually indigestible. A beach read…if you’re headed to Gitmo.
The Loved Dead and Other Revisions (and other works) by HP Lovecraft. Cthulhu mythos stuff was discussed, EAP envy (which Lovecraft had in spades)…and the fact that this book contains the single most vivid and compelling tale of necrophilia I’ve ever encountered, and that’s saying something. No, I didn’t read it out over dinner.
Damn, forgot to tell my tale of the old boyfriend of mine who heard about how I was such a fan of “Lovecraft books” and asked to borrow them. A week later he returned them, with a puzzled expression. I asked if he hadn’t liked them and he replied: I thought they were gonna be how-to’s.
A Warning to the Curious by MR James. I put forth my theory that ghost stories are definitively English, while Gothic supernatural horror is particularly American…it was not well-received. Fools! again I say Fools! Ia! Shub Ni-ohfugedaboudit.
The Secret History, by Donna Tartt. I state unequivocally that this, combined with A Heartbreaking Work of Staggering Genius, are the two novels which define my generation; this is not good news to anyone who’s read both books. I test my theory that I can recite the first line…The snow was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation. I get about 70% right.
The New Gothic which includes such authors as Jeannette Winterston, whom we all agree is a genius. I quote her: Why have we submitted to a society which makes imagination a privilege when to each of us it comes as a birthright? Unfortunately, the book also includes Joyce Carol Oates, who is obviously paid by the word…and we descend into the crude, embittered remarks of literati who are not paid by the word at JCO’s rates.
Closed on Account of Rabies, articulating a theory that Poe died not of alcoholism but of rabies. The album is produced by the Genius Hal Willner and featuring Christopher Walken, Gabriel Byrne, Marianne Faithfull, Iggy Pop, Deborah Harry, and Diamanda Galas reading Poe’s works
Nick Cave and the Bad Seeds: Murder Ballads, which is a collection of songs about murder, either from the point of view of the victim or the point of view of the perpetrator. This plays while we are eating. Bon appetit!
Diamanda Galas: Defixiones/Will and Testament; you either love her or you don’t even recognize it’s music. I, personally, loved the part where she synched up the throbs in her screams with the flashing of the strobes, but that’s just me.
And the menu was: a glass of wine (amontillado was unfortunately not Irish enough for the Shebeen) and The Tell-Tale Artichoke Heart Pasta. Now aren’t you sorry you missed it?
When raincoaster checks the ol' raincoaster stats, she looks for many things: total hit count, most popular blog entry, signs of the coming Apocalypse…it's like necromancy, but you don't have to wash your hands afterwards unless you get very excited. Among the things that she looks for are links through which readers have clicked to arrive at raincoaster, the blog. And this one from yesterday particularly caught her eye.
It appears to be a Google translation of this post, a roundup of search engine terms that brought people to the blog. This is known as a feedback loop, and is sneakily effective in gaining new readers and hooking back the old ones, even if they were only looking for Narnia Mango Somali Porn.
Oops, I did it again!
Anywhoooo, the words on this page that were beyond Google's ability to translate were quite interesting. In the interests of creating a new, more selective feedback loop, and in the interest of confusing the Chinese, I will here list all terms in that raincoaster post found untranslatable by Google:
Did you ever do those assignments in school where you were supposed to use each of a whole snotload of words in a sentence? I was terribly literalminded, and always tried to get them all into one sentence, which drove my teachers nuts, but even I would have to admit defeat when faced with the above list.
FYI Here are today's search engine items that led here. I must say, we're getting better. Classier, weirder, and less Somali-porn-based. Some Somali trivia: You know Iman? When she left Somalia she took everything worth looking at with her.