I got this from a good source in Washington. Actual footage of Dick Cheney ruining one of the holiest days of the year; there’s a reason they call him the VICE president.
I got this from a good source in Washington. Actual footage of Dick Cheney ruining one of the holiest days of the year; there’s a reason they call him the VICE president.
Just to prime the pump (and possibly to silence legions of annoying, yammering, l33tspkg fans) Bloomsbury has released the cover designs for the last book in JK Rowling‘s series: Harry Potter and the Deathly Hallows.
Bloomsbury Publishing Plc is delighted to release the book jacket images for Harry Potter and the Deathly Hallows by J.K.Rowling, to be published on 21st July 2007. The cover illustration for the children’s edition is by Jason Cockcroft, who drew the cover illustrations for the previous two Harry Potter books… The cover design for the adult edition is from a photograph by Michael Wildsmith, who has photographed all the adult edition jackets…These covers will be used throughout the world on the English language editions excluding the USA. Scholastic US have also released their cover images of Harry Potter and the Deathly Hallows…
and look, here it is:
Better than the British one (you have to view the full wraparound version on their crappy Flash page), if more individualistic. What does that say about the relative values of each nation? That Daniel Radcliffe has a better US agent than Rupert Grint and Emma Watson, that’s what.
Actually, the best one is the British adult version(warning: is pig-dog to load and has a tendency to crash my computer. Funny, you’d think Slytherin would be raincoaster-positive), with Slytherin‘s locket. Although who would have imagined that Slytherin would be caught dead wearing anything as femme-y as a locket?
Also, why are publishers so enamoured of Flash? These pages are a bitch to load, and that cutsie owl hooting that Scholastic features during the load just about makes me want to go out and strangle the next owl I see.
Or publisher.
Oh, it’s not all Alan Rickman’s laser gaze and cute teens prancing around the Great Hall in robes, nosiree.
from the Archive:
My Grampaw, the warlock
Friday, September 30, 2005
Well it makes a hell of a lot of sense, if you think about it.
Even if he wasn’t my grandfather.
Depends on your definition, see. Are you an “on paper” person, or an “off the record” person? Because who my grandfather is depends on who you are in just that way.
On paper, Tom Bailey was my grandfather. Off-paper, or in other fact readily on-paper, he was at sea for ten months before my mother was born. In long retrospect, ie a visit almost 40 years after the fact, a picture of the next-farmer-over’s lawful daughter, sitting on top of the tv, looked enough like my mother to settle the matter. So. Are you a bureaucrat or are you a gossip? Those are your choices.
So. Tom Bailey was known as a warlock. Not a pagan. Please don’t make that mistake; Tom Bailey was a warlock, meaning he had allied himself to what he recognized as the powers of darkness in order to gain power, rather than wrapped himself in silk togas on long weekends and melted aromatherapy candles while doing tarot for his knitting club.
Awwww, how can you say that about a poor, semiliterate farmer?
Any number of ways, starting with the fact that, stone cold sober, he shot out the wall between the living room and the kitchen knowing full-well that his children and wife were on the other side. He wanted to practice, you see.
One of my aunts, as happens in families, was known as “the pretty one,” and, as happens in families, she prided herself on it. Until she was fourteen. At fourteen, she suddenly sprouted warts all over her hands. Now, anyone nowadays knows warts are caused buy a virus. And there’s nothing you can do but get them frozen off. But back then, there was no known cause and nothing you could do. And she was sure, absolutely sure, beyond the shadow of a doubt, that no man would ever marry her with these warts on her hands.
She cried. Of course she did. She cried night and day. And did it bother Tom Bailey? Of course it did not; with a father like him, the kids were always bawling anyway. But finally, after an interminable time during which nobody in the house was able to sleep because of the wailing and the tension, Tom Bailey took arms against a sea of troubles and by opposing, ended them.
He said, “You stay here. The others will leave the house. Let them go to my brother, across the way. Tell them not to come back until an hour after dark. NOT. BEFORE.” and she did what she was told, related what she’d been told, they did what they were told, and an hour after sunset they headed back.
She was thin and shaking. She would not speak. She held her hands out, and they were flawless. They have remained flawless to this day, as has her silence.
cross-posted to running through rain
What causes art? In this case, it’s simple: a child’s desire for mutilation.
Do 13-year-olds really need to be saving their babysitting and paper route money for breast implants? Cheryl-Ann Webster wondered that herself, when her daughter told her that a friend was already socking away money for the boobflation job she felt would be an absolute necessity, sooner rather than later.
So Cheryl-Ann made a few synthetic boobs herself; she made The Beautiful Women Project.
To demonstrate that beautiful bodies come in all shapes and sizes, she wanted to surround young girls with sculptures of real women’s bodies…
The Beautiful Women Project is a touring art exhibition of life-sized torsos of real women aged 19-91.
Aims:
- To challenge socially-constructed images of beauty
- To raise awareness and open a dialogue about the link between self-worth and physical appearance
- To be a teaching and healing tool
In the artist’s words: “Our bodies tell our life story. They are portraits of our journeys and experiences. Knowing that our body is beautiful just as it exists, is a message more people need to see and hear.”