The Spiders from … Antarctica!

Of the many and varied delightful creatures which enliven the drear, dark depths, there are perhaps more mysteries than certainties. From time to time a trawler will snag something huge, something strange, something unspeakable; briefly it surfaces on Ananova or Reuters, only to be tossed back into the void, too disturbing for true contemplation.

We live on a placid isle of ignorance, amidst black seas of chaos,
and it is not meant that we should voyage far
.

Tunicates on the ocean floor

Giant sea creatures, including sea spiders the size of dinner plates and
jellyfish with six-metre long tentacles, have been found by Australian scientists in the deep waters around Antarctica.

Huge worms and giant crustaceans have been filmed during an expedition which trawled the floor of the Southern Ocean almost a mile below the surface. Many of the animals could not be identified and are to be sent to labs, possibly to be classed as newly discovered species…

So it is with these strange creatures recently spotted in the subsurface valley depths of the great Antarctic Mountains of Madness. Where shoggoths breed, man was never meant to tread. I wouldn’t want to be this videographer once they find out their secrets have been exposed. Philipa passed the footage along to me, and I put it out to the public as a way of saying, “Look. See what wonders, what horrific marvels our world contains. These living anomalies share our planet, dwelling beneath the deceptively peaceful surface of the Antarctic Ocean, crawling and thrashing, killing and breeding all unsuspected in the Stygian, turbid void beneath us…”

We live in Fortean times indeed.

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while my ukelele gently weeps

I know, it’s not an original title, but after watching this a couple of times I can’t really think straight; I can only sit smiling blankly, Buddha-like, into the face of the full moon. Watch and listen as Hawai’ian Jake Shimabukuro takes the ukelele to places in the human heart and the heart of the universe that we never knew it could go.


When will that stupid network stop taking these videos down and let us tell people how good their stuff is?

Jake on Myspace

Jake on NPR

Shimabukuro named his latest CD Gently Weeps because of his affection for George Harrison. The late musician, whose primary instrument was guitar, also played ukulele and would take one along wherever he went.

“I really believe he got a lot of his ideas from the ukulele because they work so well with the instrument — songs like Something,” Shimabukuro says.

And here’s Jake performing one of my favorite Beatles songs, In My Life. Can’t disagree with the list of reasons he makes the Babewatch radar, either.

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Lost Arts: How to Commit a Train Robbery

Bill Miner wanted poster

Never let it be said that we at the ol’ raincoaster blog stood by passively and watched our proud Canadian heritage slip into oblivion unmourned, unrecorded, unblogged. Now that the last of The Grey Fox‘s victims has been enveloped by the sweet embrace of the eternal, it is time to pause and reflect for a moment on that archetype of the Old West, the train robbery.

Consider this post to be the blogosphere equivalent of all those Schools of Chinese Culture, Roots Regained Circles, and those noble, innumerable, federally-funded oral history projects staffed by earnest future spinsters equipped with digital recorders and, always, the wrong shoes for the weather.

In true Canadian tradition, the art of the train robbery was introduced to Canada by an American, who brought it up from the States. Bill Miner, AKA The Grey Fox, AKA The Gentleman Bandit, was often taken for a Canadian by his own countrymen, perhaps on account of his legendary softspokenness and courtesy, despite possessing, all of his life, a telltale trace of his Kentucky birthplace in his accents.

Miner was no ordinary bandito when he arrived in British Columbia. Having been a stagecoach robber since the age of 16, he was as famous throughout North America as the man who first put crime and syntax together in the felicitous and elegantly simple catchphrase, “Hands up.”

But I digress…

Put simply, there are several traditional methods of holding up a train.

First (and this is common to all methods) select your train. It is advisable to select one carrying a great deal of money and moving slowly through rough, deserted territory. Steam trains taking safes full of gold dust south from the Cariboo mines are ideal. As you can see, here we tawdry moderns face our first insurmountable obstacle: the Cariboo gold fields are relatively played out, and you could probably get more money sticking up a bingo hall on Welfare Wednesday. Sic transit glamour mundi.

Now that you have selected your train, the methods diverge:

  • Method A is simply to put something big on the tracks, in hopes the driver will simply become so confused he’ll stop and sit there, perhaps wondering how that large, freshly-cut log got there, or cursing the obscure illness that struck that moose dead right across the tracks. At this point, the robbers pop out of the woods, flourish a weapon, and either take the loot or, for the more discriminating robber, proceed to Method D’s advanced steps. This method, however, is easily thwarted by train drivers who simply back up instead of sitting still. A variation of this method was used in the Great Train Robbery as late as 1963. I guess those Brits don’t watch a lot of Westerns.
  • Method B is simply to put something on the tracks that will derail the train, thereafter following procedures as outlined in Method A, only maybe sometimes horizontally. This has the following disadvantages: it is hella noisy, drawing unwanted attention even on the most desolate of mountainsides; it kills a lot of people, and this is always a disadvantage when you factor potential jail sentences vs potential lynchings into the ROI; and the entire thing may catch fire, preventing you from making off with the gold and rendering the entire episode needlessly gruesome and unprofitable.
  • Method C, favoured by film directors who’ve never left Los Angeles County, is to gallop up alongside the train and climb aboard, flourish your weapon in the engineer’s startled face, and take the loot, although not before stealing the heart of a winsome blonde passenger.
  • Method D, and this is the method favoured by the Grey Fox himself, is to wait till the train makes an scheduled stop at a mail depot or some other unpopulated spot, sneak aboard, climb over the tender (which carries the wood or coal for the engine) flourish your weapon in the engineer’s face, and proceed to the advanced steps.

The advanced steps are as follows:

  • You want the money. You don’t want the passengers; they’re a lot of hassle, just ask any porter. So you stop the train and uncouple the passenger cars, taking great care to keep the engine attached to the express car, the one with all the gold in it (some robbers were not so careful about this and even The Grey Fox’s team screwed it up from time to time). You then proceed forward with the train; this has the advantage that, if another train is following up the track, it’ll hit the passenger cars and that will slow down pursuit as well as buffer the cars that the gang is in. You convince the guard, through effective flourishment of your weapons, to open the safes. If he fails to open the safes, you proceed to use dynamite to open them. You then stop the train at a prearranged point, where your getaway man is waiting with the horses, bid the beleaguered train crew good evening, and ride off into the night with gold and securities worth a king’s ransom.

Any questions, class?

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Anonymous vs Scientology: The Ides of March, a Call to Action

Anonymous has released a new video listing specific charges against the Church of Scientology and calling for action on March 15th. Instructions included, handle with care.

Scientology, beware the Ides of March.

stolen from Gawker

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Shine on, you crazy crocheted teddy bear

Have you seen the cinematic triumph which is Shine? It is the movie that launched Geoffrey Rush on an unsuspecting public. It takes a few of those to make up for chewing scenery in a pirate’s outfit, that’s for sure.

But, perhaps hoping to capitalize on the crossover audience (sure to be huge) coming to serious cinema from the huge fan-making machine which is the POTC franchise, they’ve now remade Shine in a more child-friendly format.

Talking stuffed toys.

Hey, it worked for Pixar.

And now, I shall go back to reading Bridget Jones and thinking what a good Twitter feed it would be…

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